Fresh off another successful mission in Mombasa, Ray Garrison (Diesel) reunites with his beloved wife Gina (Talulah Riley) in Italy, intent on taking some time off and reminiscing about his repeated promise to always, always come home to her. ‘Bucky F*cking Dent’ Review: David Duchovny Adds a Wistful New Chapter to the Baseball Movie CanonĮven Bloodshot himself (he is never, ever referred to as Bloodshot) seems popped right out of an action-hero mold that was played out a decade ago: a kickass solider who knows how to throw a punch but who never quite learned how to take direction from his superiors. It’s the kind of film where those things happen within the first five minutes, and it only gets sillier from there. Bursting with both the lighting schemes and emotional depth of a Michael Bay film, “Bloodshot” is the kind of cinematic distraction that suddenly seems, if not necessary, wholly welcome. It’s the kind of a film where a bad guy goes “arrrggggh” after being shot repeatedly, as if grievous bodily harm was no worse than a mild case of food poisoning, the sort of film where a horny Vin Diesel rips off his shirt and declares that his hot wife is the reason why he fights for America, goddammit. In that context, the whole thing kind of works. While never poised to be a box-office hit, there’s something to be said for piping the delightfully asinine and needlessly convoluted feature into people’s homes when entertainment is more essential than ever. Vin Diesel stars as the eponymous super-soldier in a film that was released in theaters in the midst of a global pandemic, and smartly made the pivot to VOD release mere days later. In a rapidly changing world, however, that might not be a bad thing. Built around a comic-book hero created in 1992, Dave Wilson’s Valiant Comics adaptation “ Bloodshot” is a throwback actioner that likely would have killed in the late ’90s, but now feels every inch the product of that era’s humor and innovation.
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